Digital Photography Mastery: Learn How to Start a Digital Photography Business For Fun & Profits by eBook Download a

Author:eBook, Download a [eBook, Download a]
Language: eng
Format: epub
Published: 2020-04-07T16:00:00+00:00

Chapter 4: Making Photographs for a Living

Digital photography in the making considers many details. If you’re thinking about taking photographs for a living, you need to consider more than cameras, printers, scanners and the like. Digital photography includes composition, focal points, third rules, new slants, scene frames, foreground, perspective, lines, and sense and so on. There is no end to understanding digital photography, especially if you are going pro.

Composition is the plot so to speak. If you’ve ever wondered what a plot is, it is the specific focus of the storyline. In other words, if I was snapping a photo at a flower, the plot would be the flower. While the plot is the focus, it takes you the camera operator to spot the targets specifics to detail and lay it out on paper. If you see a flower as a plant on the ground, you are missing the point. Any photographer (good photographer that is) will see beyond that flowers plant and growth. The flower brings life to the world, which is something the world often misses. Therefore, if you want to get into photography, get into the composition in full light.

Imagine:

The sky is orange-yellowish with a tickle of purplish shade, and dark blue waters with shades of light are offsetting the scene. The light is beaming down onto the earth’s surface. In the background is a city at a distance and in front of you is a bridge. The boundaries have a dark surface, and some of the buildings are lit up in the background. Can you capture all of this in one shot? Sure, you can if you are focusing on the entire plot or photo.

The concept in this photo is seeing not only the focal point, but the scales that set off the image. Now the focal points extend to vertical and horizontal lines. There are two points to each line that you want to center in on, while keeping the plot in view. This is the third rules or rules of the thirds in camera or photography language.

Now we can consider framing. Photographs have a marquee, or center attraction, but borders often set off the photographs. If you are snapping a photo of a child, you want to center in on a border while considering scales. For example, you’re looking at a child standing in a corner of the room, yet all the walls are white in color. For me, I prefer white as an outside attraction, verses being an inside addition. That is, I’d rather not have white in the scene, unless it sets off a specific portion of the plot. If I am looking at a snow capped mountain, then I definitely want the white to show up in the plot.

Okay, the child is in the room, what can you pick up with the eye that will set off that photo with borders? Are there toy boxes in the room? Are there other photographs in the room? What is in the room that

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